Burgeoning ©Kesler Woodward 2010 Acrylic on canvas 48" x 60"
For many, many years, birch trees have been stand-ins, in my paintings, for people. One of the reasons I return to painting birches again and again is that I am so impressed by their individuality, the way their skin and posture show their age, the way they are beautiful, proud, broken, wounded, intertwined, coupled, tangled, and isolated.
I have a big show coming up at Well Street Gallery in Fairbanks, opening October 1. I agreed about six months ago to fill both the large spaces which are normally divided between two artists doing concurrent solo exhibitions. So I've been painting not just my usual 9 to 5 or longer weekday hours, but have been back at it in the evenings after dinner, and working every weekend day and night. The time goes fast in the studio--faster than anywhere else.
I decided almost a year ago that I wanted all the new paintings for this show to be about birch trees and the boreal forest. That's about as specific as I can be in my desires, as much of what I do, once I get to the studio and start working, seems to be out of my hands, beyond my conscious control. I start painting birches, work hard, and their individual character, their compositions and the stories they tell come to life almost unbidden. I've been fascinated to watch them appear.
Young Ones ©Kesler Woodward 2010 Acrylic on canvas 48" x 60"
Lost Birch ©Kesler Woodward 2010 Acrylic on canvas 40" x 30"
Intertwined ©Kesler Woodward 2010 Acrylic on canvas 48" x 36"
Hi Kes,
I have a huge crush on the color in these latest paintings you posted.
As I read through your older posts, I realize that this mosaic project will be a major factor in getting me back up to Alaska. Something I didn't know I would want to do anytime soon but I must get up there to see this with my own eyes.
Must get back to reading, I have 5 years of posts to read and learn from.
Best,
Val
Posted by: val lord | September 20, 2010 at 06:29 PM