Be Still and Wait ©Kesler Woodward 2022 Acrylic on canvas 36" x 36"
I love the winter, and 45 years after moving to Alaska, I have yet to see it start snowing and wish it would stop. But about this time every winter, I look at the most recent paintings I've made and realize that I must be craving color. As I've said many times on this site, I never know what I'll paint next until I actually begin a new painting, but I can't help noticing the burgeoning light, the open water, and the rich, brilliant colors that have once again found their way into my January and early February paintings.
As usual, I didn't really know what Be Still and Wait was about until it was done. But as soon as I'd finished it and sat across the studio looking at it, lines from "East Coker," one of T.S. Eliot's "Four Quartets" came immediately to mind, and the title arrived fully formed. I've made paintings inspired by those poems for more than half a century, and it seems there may be more to come.
The Woods in Winter Dream About Spring ©Kesler Woodward 2022 Acrylic on canvas 20" x 20"
The colors in The Woods in Winter Dream About Spring are even brighter, and less literally real. This is a scene at the heart of the 2-acre study compound of trees from throughout the circumpolar North, planted by researchers at the University of Alaska almost 60 years ago, that I have been avidly exploring and getting to know for the last year. Granted access to that compound last spring, 40 years after seeing it for the first time, when the trees were just saplings, I am visiting it every week, trying to get to know every tree.
It's as much a delight to be in that exotic boreal garden on my snowshoes, making new paths in more than 3 feet of utterly pristine, unbroken snow, as it was to see two varieties of birches from Finland leaf out in spring and two kinds of larches from Siberia turn golden and drop their needles in the fall. I was in that garden last week, and it occurred to me that perhaps the spruces at the heart of it are craving color as I am, dreaming in their slumber about the riot of spring, summer, and fall.
Tomorrow to Fresh Woods ©Kesler Woodward 2022 Acrylic on canvas 24" x 24"
Tomorrow to Fresh Woods is, for me, about not just the beauty of bare branches against the sky in the twilight, but about looking ahead to light, on the other side of anxious times and loss. Its title comes from one of the last lines of English poet John Milton's famous 17th pastoral elegy "Lycidas."
My wish is for more light, for all of us, in the new year!
Thank you, Carol. SO much color in Hawaii, from the birds that I love in the high forests of Kauai to the groves of Hosmer Forest on Maui. Perhaps most of all, I love the rainbow eucalyptus trees, which like many of the colorful birds, I think are not indigenous, but I love them just the same!
Posted by: Kes Woodward | March 10, 2022 at 08:38 PM
I am late to reading this post - it's now March 9. And I know what you mean about the desire for color. We have been in Hawaii for two weeks, and it was a feast of color for me. But these paintings show the promise of color to come, which is also very special. I love it that you keep painting, and that you keep studying what lies close to you. In Hawaii I was talking to my brother-in-law about the desire to travel to see the sights in new places and the desire to discover new sights in the old places. They are similar wants, but I always seem to lean towards the latter.
Posted by: Carol Bryner | March 09, 2022 at 07:43 PM